Now that August has officially ended, and Spring has knocked politely on the front door I can wrap up the last of this month’s pieces.

And now, as adults, at a family gathering around a meal of spaghetti bolognaise, abbreviated as ‘spagbol’ – one word, not two – we each cut our children’s spaghetti; fragmenting sentences into phrases, clauses and syllables caught between the tines of forks and uttered between lengthy pauses while conversation pools in puddles of sauce.
The temporality of whiteboards and their content, known to me as a teacher, also makes a great canvas or notepad. I can write on it, amend, and take a photo to preserve it then erase it as if it never existed.

I rub the scar tissue on my knee, the geography of brothers
a reminder of when I had pieces of gravel scrubbed from my flesh
after you had pushed me onto the bitumen
the playful violence having given way to silence in later years
because we never found the words to replace our actions


I’ve had this used drum head for a while and I loved the texture that happens when a coated drum head deteriorates and I wanted the texture to reflect the tone and content of the poem.
I finally got around to finding the right words. I’m not happy with the penmanship; maybe I should have used a different handwriting style. However, I like the content.

1 Object/2 Poems
tongues of flame above our heads
descending to our mouths, our lips
duplicating another tongue withthe anticipation of consuming
tongue-twisted ecstacies of abandonment
unto one another
burning twice, existing briefly
tongues of flame
the revolution of the insolent
indolent
insouciant
ashes in the wind



fragmentary colour/blooms quickly then disappears/a father’s anger
