Earlier this year I sold a story to The School Magazine. The New South Wales Department of Education releases 10 issues a year to public school students, catering for all reading levels through different titles aimed at stages.
My story, The Diving Tower, was released in Touchdown. It is appropriate story as we come into the summer season in Australia as it is about a young boy, Zeke, who wants to conquer his fear of the diving tower at his local pool. I will say Zeke is a braver boy than I ever was.
It is beautifully illustrated by Australian artist, David Legge.
If you are a primary school teacher, there are a range of resources you can access to accompany the story created by The School Magazine. For specific activities to accompany The Diving Tower, click HERE.
A teacher friend of mine sent me a picture of the magazine at his school, and I was very chuffed to see kids still draw all over the cover of magazines.
I am looking forward to reading all the entries, especially the younger writers who I hope will continue their pursuit of the craft because it will be awesome to see their writing journey into the future.
* GOOD NEWS KLAXON * That’s my name down there on the bottom of the picture telling me I have won the 18+ category of WestWords Living Stories competition. Last year I was also the winner for my local government area and backing it up with a win this year is amazing.
The next step is all the winners of each category are judged for the grand prize which will be announced in July. What is extra cool, and perhaps a little daunting, is other winners in my category are also part of the WestWords Academy I am participating in this year (all judging was blind so no one knew we were a part of the Academy or indeed if we had submitted). The chat was a flurry of messages yesterday when the announcements were made. I am hoping to meet them in real life at the book launch. I loved reading the stories in last year’s collection as there were amazing pieces written by people from all ages, and I am looking forward to reading the winners and highly commended stories and poetry this year.
I really loved what I had written, and was completely satisfied that if it didn’t place or anything, it was a piece I truly believed in and gave it everything I could. However, it did win, and it made for a lovely surprise (when you submit a piece for a competition, or any publication, you have all hope and no hope simultaneously) after what has been a brutally exhausting term at school.
The announcements were being released as I was teaching my writers’ class so I was able to share the good news with them when it happened (after I had messaged my wife and told her).
It was a word chosen to keep my focus on writing and submitting. On that scale, it has been successful. I have written, I have submitted, I have received rejections. I have had a story sold to appear later in the year in The School Magazine. I have been accepted to a local writers’ Academy where we meet monthly to discuss the business and practical aspects of writing. And the year is only half done.
In saying that, it has also been a year of relentlessness in other ways. The best way of describing it would be “Unexpected items in the bagging area.” It has taken its toll mentally and emotionally.
This afternoon, I took stock of where I was at with some old projects, added in potential new stories and lined them up in my notebook. I need lists; it keeps me accountable.
This is how I choose to define progress in the year of relentless: I am continuing to write and work on new projects, submitting when I can, and looking for new opportunities to get help, wisdom, knowledge and advice. If you don’t ask, you don’t receive.
I am curious to see what happens in the remainder of the year, and when I look back over 2022, what lessons will I have learned? And that is, perhaps, the more important part of this creative journey.
If my desk was named like an English pub, it would be The Drum and Page. My writing collaborator, Jodi, calls her place, The Dog And Book. Therefore I am renaming my work space like an English pub even though I live in Australia. It simply sounds better. What would your creative space be called?
I digress but this initial tangent leads me to my WORD OF THE YEAR.
Each year I choose a word to help guide and direct me. They are written on a Post It Note and stuck to the wall above my desk. Last year I had two words: “limitless” and “breakthrough.” I found success in these two words in the release of my chapbook, Mount Pleasant, in February, and winning a local writing competition about the middle of the year. I kept writing and drawing, sifting through the what was to see what would be.
This year, the word is RELENTLESS.
It will take a year to explore the nuances of this word and what it means for me. And that will be an awfully grand adventure.
It’s a word to apply to my creative life through writing and drawing, and will have application to the spiritual, emotional/mental, and physical aspects of my life. I don’t know what the final outcome will be at the end of 2022. I may have made no progress other than developing my creative practice. I may have opportunities to explore because I asked about a collaboration, or I put in an application for a writing mentorship, or I submitted work for publication and only received rejections. I don’t know. But I will be relentless in my pursuit of this creative life.
Grace and peace be upon you all from the desk of The Drum and Page.
There’s always a tennis court around the corner, the white lines faded and cracked. The net hangs in a lopsided grin as you walk past. The dog at your heels moves to your other side, putting you between it and the tennis court. You’ve never seen anyone play on it.
As you walk beyond the base line you think you hear the sound of a ball struck. You turn and there’s no one there on court. A tennis ball rolls out of the shadows and into the back corner of the court, resting against the cyclone fencing wire.
What do you do when you get to the end of the toilet roll?
A year is a toilet roll, and as this calendar year comes to an end, we tend to reflect on success, failures, the times that fell through as easy as a loose stool; the events we bit down hard on and pushed; the thoughts we had amounting to nothing more than sound and fury, signifying nothing.
This laboured metaphor for the end of the year is fitting as this time of year is awash with Best Of lists, retrospective summaries, highlight reels and statistics. The interim period of December 1 until Christmas Eve is like looking at the roll of toilet paper on the holder and wondering how much is left and how long it will last, and if you’ll get through.
We mark our seasons and cycles in different ways. I am not one to successfully mark transitions and the ascension of seasons and new beginnings. I try to. I set out projects and works I’d like to complete but I am useless at developing plans and goals. Creating positive habits is hard.
I do know what I have, and have not, achieved this year. In the wash up of this year I can point to many reasons why I have not succeeded, some personal, some professional, some within my control and some out of my control. And all of these have had their impact in my growth as a writer and a creative.
These make me feel quite chuffed and are impetus for future growth next year. I have ideas, thoughts, hastily scribbled plans, fluid deadlines that need to be made fixed, unfinished projects to either abandon or complete.
And yet, there is fear.
Fear I can’t finish the projects I want to. Fear of what will happen outside of my control that can derail my progress. Fear of being average and beige and wasting my time. Fear is the largest obstacle I need to overcome.
Creativity is a discipline: spiritual, emotional, mental, physical. You train yourself like an athlete or musician to overcome fear. And when one cycle ends, you think about the incremental progress you have made, and how you have changed, developed, adapted, improved throughout the cycle.
So, what do you do when you get to the end of the toilet roll? You dispose of the waste, put a new roll on, and start anew.
Ira Glass discusses the gap between where we are with our creativity, and where we’d like to be.
And this is where I am at.
I have a vision of the type of writer I want to be and I am trying to make it a reality.
Above my desk are a series of Post It notes, categorised under different headings. There are Post It notes for published pieces, Works in Progress, Ideas and Rough Concepts, Writing Competitions and Opportunities, and then a random miscellany of captured moments.
I am trying to bridge the gap. I am taking off Post It notes when I have abandoned a Work in Progress, trimming the hedge, so to speak, because I want to focus on the work I have at hand. I do not want to be distracted by too many ideas, or to spend time pursuing an opportunity that will not benefit me. I am being deliberately picky. I want to focus on writing well in order to bridge that gap.
It feels presumptuous, and arrogant, to say that I have a goal as a writer: I want to be on the Miles Franklin short list. The Miles Franklin award is prestigious writing award in Australia, and it is one I aspire to. Even to be on the long list would be an achievement. To win it would be the culmination of years of hard work.
I’ve set myself a bar on the other side of the creative gap. Time to get to work; to write the words that will build the bridge across that gap so I can leap over that bar.
Due to the nature of my job as a high school English teacher there are certain times of the year when the time to create is very limited.
This is one of those times.
July to September is very busy, and time to focus on large projects or develop new ideas is very limited. Therefore I call this my fallow season.
I leave projects and ideas on hold, waiting for the next break to pick them up again. I can do little things like drawing but writing projects wait.
It is frustrating for a number of reasons. If I have built momentum on a project I have to let it slow down. If I want to spend time developing a new project it can only be done in small parcels of time if I have the mental strength to do so. It is frustrating because I am not where I want to be as a writer. There are other factors in the background that also hinder progress, and each time I think I have found a new pattern or way of creating, the parameters shift and I have to restart.
So this is me, waiting out the season but watching over the fields.