Category Archives: The Writer’s Life

The Correlation Between Writing and Single Line Drawing

The Correlation Between Writing and Single Line Drawing

A single line drawn; a continuous, unbroken line.

The pen invents the existence of the image from the blank space of the page, drawing the white into the pen to reveal the darkness of the solar system beneath. Conversely, the tabula rasa of sight is given vision through the pen, leaking the blackness of the imagination onto the page.

The line takes shape: straight paradoxes, curved obstructions, angular indices, folded waves, circular epiphanies. The brevity of a single line suggests, coaxes, entices or has the complexity of a woven tapestry to illuminate, postulate, seduce.

As it is with words.

Single words.

Verb. Noun. Adjective. Preposition.

When connected together they expand, like the line, to form phrases and clauses. When arranged in single horizontal lines as sentences they give direction and purpose to the shape of the narrative.

Sentences with the lines of tailored couture bestow a resplendence of awareness.

Sentences with the sparseness of underpants and socks bestow a nakedness of understanding.

What are words but a single continuous line.

Momentum and Progress

For the first time in a long time I am feeling like I am riding the crest of a new creative wave; one of momentum and propulsion.
For the past few years, due to specific personal circumstances, my creativity has felt compressed and it was more of a release valve for me, by writing brief snippets of prose on paper, or writing poems on Post It Notes, and starting continuous line drawing.
None of it allowed me to build momentum and movement to pursue a project the way I wanted it to.
However I felt that if I stopped creating it would cease to be a significant part of my life in the way I believe it to be. Small pieces were a way of creating an equilibrium, allowing me to breathe above water.
This new year has opened up, and there is a great sense of peace and joy. I feel I am able to write freely again like I haven’t for quite some time.
Here’s to this year to bring dormant seeds to life.

What Am I Reading in 2020?

Shastra Deo – The Agonist

For the past few years I have been tracking my reading: number of books read, author (male/female), genre etc to have a look what I have been reading and to see what blind spots I do have, and to make sure I am reading more in order to improve my writing. As an English teacher I also need to model to my students the importance of reading.

In my first year of tracking my reading (2017) I read 24 books. In 2018 I managed 32 books. Last year I only read 17 books (because reasons like moving house).

In 2019 I particpated in the Goodreads Reading Challenge, and I am having another go at it this year. I go back to work tomorrow, and classes start next week so I used my time to read some set texts for classes, and my own choice. I have read 9 books so far, the majority of them poetry anthologies. I am going to change focus and read a few novels but might intersperse more poetry between them.

Over on my Instagram @handwrittenpages you’ll find my brief review and an accompanying illustration, mostly continuous line drawings but for the two most recent texts I’ve changed the style.

My hope in reading more widely is to give me greater awareness of writing styles, imagery, description, characterisation, narrative focus etc so that the projects I have lined up for this year have a better chance of delivering what I want them to.

What are you reading in 2020? And why?

Post It Note Poetry 2020

2020 is the 8th year of Post-It Note Poetry. Not bad for something that started as a dare to write bad poetry on Post-it notes between two friends.

The JAR Writers’ Collective will host the month-long poetry event this year, co-ordinated by Jodi CLeghorn, in league with fellow Collective members myself and Rus VanWestervelt, and ably supported by eight brilliant Post-It Note Poetry Ambassadors.

𝗔𝗕𝗒𝗨𝗧 𝗣𝗒𝗦𝗧-π—œπ—§ π—‘π—’π—§π—˜ π—£π—’π—˜π—§π—₯𝗬

Post-It Note Poetry runs every day in February and is designed with two broad aims in mind:

1. To encourage people of all skills sets and persuasions to explore and have fun with poetry – whether they are seasoned poets or curious souls attempting poetry for the first time since their teenage years.

2. To create within a confined physical space (the size of a post-it note) as a positive limitation. It is also a way of making poetry composition possible for 29 consecutive days.

“π—§π—›π—˜ π—₯π—¨π—Ÿπ—˜π—¦”

The rules are simple for those who’d like to play along at home (at work, on the bus or in any of those in between places perfect for scribbling poetic words on small squares of sticky paper).

πŸ–ŠΒ Write/build/create a poem every day of February.

πŸ–ŠΒ Poems must fit on a post-it note (or be an equivalent sized poem – ie. no more than 8 lines on a larger backing).

πŸ–ŠPoems must adhere to the original light-hearted spirit of permission to write badly – in which poems can tackle serious content, but internal editors/critics all get a break over February.

πŸ–ŠPost poems to social media with the hashtagΒ #pinp20.

πŸ–ŠFollow the hashtag and enjoy what others are creating.

We look forward to introducing our ambassadors in the coming days.

All questions or inquiries can be directed to me!!

If you’d like to join the Facebook group – you can do so here.

https://www.facebook.com/groups/460406284024429/

Launching Post Marked Piper’s Reach

It is not too far away now that “Post Marked Piper’s Reach” is launched into the world.

If you’d like an autographed copy, click over to the Post Marked Piper’s Reach bookstore to get one: https://postmarkedpipersreach.wordpress.com/bookstore/

If you want a copy for your digital reader, then pop on over to the Vine Leaves Press site for options depending on your preference.

https://www.vineleavespress.com/postmarked-pipers-reach

 

Post Marked Piper’s Reach Review

It is only a little over a month before “Post Marked Piper’s Reach” is released and Β an early review is in.

Courtesy of Andrew Gillman, you can read his review HERE.Β 

Suffice to say, we are more than a little chuffed at his review because it encapsulates so much of the novel’s heart (of darkness).

Links for ordering copies can be found at the Vine Leaves Press page HEREΒ in both paperback and ebook in a region best for you.

The JAR Writers’ Collective

I am very pleased to announce the launch of a new writing initiative I am involved in, The Jar Writers’ Collective.

It is the culmination of some thinking and brainstorming between myself, my collaborative co-conspirator, Jodi Cleghorn and another collaborative co-conspirator, Rus VanWestervelt.

Together, we are The Jar Writers’ Collective.

The three of us have been working together in some way, shape or form, for some years now, and its was decided to formalise our collaborative efforts, and individual works-in-progress, in a new writing venture.Β 

Our work ranges from novel, to novella, poetry, script, art and combinations of any of the above, and it excites us as to what we can produce individually and collectively.

This collaboration allows us to champion our own work, the work of our collaborators, and the work we do together. We are free from restrictions about what we publish, and how we publish it. We are treading a fine line between indie press and indie authors. Our first release is slated for June, 2019.

Our first post, Opening The Jar, lets you in to see who we are, what we are about and what we hope to achieve.

It’s not just about us as creatives; it’s also about giving permission and tools to others to explore their own creative practices.

Drop in to have a read, subscribe to our monthly newsletter, or our weekly blog posts and prompts.

You’ll also find us on Facebook (click on through and Like our page), Twitter and Instagram.

We’d love to hear from you and get to know you as part of the community.